Saturday, January 8, 2011

also often be pretext India

The ferocious person of Chinese Buddhism, is actually a pretext negative image evolution

"The sea of stories and other civil story, MaiNa maacah and orchid epilogue etc pretext of typical characteristics of nor tender affectionate, but moving fetch beauty, and the beauty and their romantic nature, unrestrained behavior relates in together, often fascinating crazy when I fell in love" their "among, then without extricate themselves. Therefore, also often be pretext India jainism etc sectarian return for demon kind of elves, Chinese Buddhism, the ferocious person, is actually pretext negative image evolution. Shurangama sutra, and other famous buddhist will often "ferocious person" and "flying" par, called the "flying ferocious person". According to the "yi jian JiaZhi · flying ferocious person" (song · HongMai) statement, flying ferocious person is common in tang and song buddhist mural of image. Scholars have discussed the origin of flying image, is more carefully to deny or a direct ferocious person while summerizing between what contact, but actually flying and ferocious person is India's development and evolution of the pretext image results.

As early as the 12 centuries, buddhist poet MaMing creation of the biography of beauty difficult tuo already appeared pretext of image, buddhist sculptures and murals also continued with ancient myths and sometimes pretext appearance, such as "indra and pretext", "dry Ta shiva and pretext prostrating" etc. O latter tuo mural (AD 450 to 650 years).

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