Indian art as a pretext

Existing new Delhi national museum, appeared in the gupta era "flying" about creation relief in the sixth century, it is generally thought that it represents not dry Ta shiva and pretext, but a pair of holding Ming, its dancing posture elegant lightsome, around in the windward side ostentatious ribbon apparently more close to dunhuang flying murals. However, unlike flying gossamer clothes dunhuang art compared, can see, here no clothing or ribbon and then feathered role; Moreover, "flying" here, not like the dunhuang art of flying like that, fasten hua type long skirt, but like all of Indian art as a pretext, land of economics-conflicts designation performance for the nude image.

Ella Lola grottoes 16th grotto keira knightley sasha (na towers) temple outside on the wall, the main tower engraved on a famous flying image, but has no similar to flying in dunhuang paintings that long ribbon, they are NiuShen ti, with dancing posture shows a very strong move feeling. Therefore, rather than their "fly", as their "dance", which seems to be more close to flying or pretext image authentical significance.

S for figure/ShiHaiJun

S flying, about the sixth century, new Delhi national museum collections. However, it is generally thought that this statue depicts the anaglyph Ta shiva and not dry pretext, but a pair of holding Ming

S ella Lola grottoes flying image. Rather than their "fly", as their "dance", the closer to flying or pretext image intended