However, in the Indian Buddhism sculpture and painting, more appear be charming YaoCha female, rather than pretext. YaoCha (namely ferocious person) in early vedic literature, they will appear with each other pretext originally, although also be demi-gods, but YaoCha mainly attributable to the magic class. Later, especially India various buddhist sculptures and drawing, beautiful YaoCha female image changed, they more into worshipping Buddha to goodness elf, and no two pretext broth.
The image of secular pretext became increasingly complex and the house, also by celestial into the Himalayas, etc in the world
Ancient vedic texts mention in the pretext, there are 26 place.furthermore, in an epic era, pretext has a widespread, and by purana, pretext thousands, and its image is also become more mundane and more complicated. They more into a magical color, can freely changeable own body, They to gambling and game extremely keen, can depend on oneself magic, manipulate gambling and games, Although still happen from time to time and ascetic complication, but their thirst for more and the earth hero, handsome xi knot dew love-fate,
Furthermore, with the development of society, they also passionately pursuit of wealth, Abram epilogue morphed into pretext of wealth all about the daughter-in-law.
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